ESPA is supported by a team of skilled professionals, including a director, music director, and choreographer. We proudly present two carefully crafted musicals in local theatres. Our performers undergo extensive training, preparing for their week-long runs at Chequer Mead Theatre, East Grinstead. We collaborate with industry experts in sound, lighting, stage management, and orchestration to ensure high-quality productions.
ESPA's impact reaches beyond the stage, with alumni and current members finding success in various entertainment fields. They've appeared in notable productions like Les Misérables, The Curious Incident of the Dog in the Night-Time, The Ocean at the End of the Lane, Wicked and more, as well as on national tours, television, and radio, showcasing their talents as singers, dancers, actors, directors, and musicians.
The East Surrey Operatic Society (ESOS) was founded in 1907 and performed its first production, The Mikado, that same year at the Market Hall in Redhill. The Market Hall became the society’s home for many decades, until its demolition in the early 1980s. From the start, ESOS staged annual productions, with the only breaks occurring during the war years, and focused mainly on Gilbert and Sullivan operettas and similar works.
In the 1950s, ESOS began to explore a new direction by embracing the "American musical," which soon became the society’s mainstay. This change was welcomed by many, but not all members were on board. Some preferred to continue performing traditional operatic works, and this difference in artistic vision led to the formation of a new group under the guidance of Joyce Hooper. This was the beginning of The Opera Club of Reigate and Redhill.
From then on, the two societies existed independently but worked in parallel. ESOS focused on more contemporary musicals, while The Opera Club stayed true to classic operettas, particularly the works of Gilbert and Sullivan. Both groups produced one major show each year, first at the Market Hall and later at The Harlequin Theatre in Redhill, which offered a professional space for their productions.
In 2003, ESOS took another important step by launching Young ESOS, a youth branch aimed at encouraging younger performers to get involved in musical theatre. The group staged its first show, HONK!, in 2004 and quickly gained recognition as one of the most successful and innovative youth theatre groups in the South East.
Over time, the memberships of ESOS and The Opera Club became increasingly intertwined. Many individuals were active in both groups, and they began to collaborate on concerts and even full productions. With so much overlap and shared purpose, a permanent merger was the natural next step. This took place in 2014, resulting in the creation of East Surrey Performing Arts (ESPA). In 2019, Young ESOS officially became Youth East Surrey Performing Arts (YESPA), aligning its name with the wider organisation.
In 2015, a new branch of the society was formed. DESPA was established to focus specifically on plays rather than musicals, further expanding the range of performances offered under the ESPA Productions umbrella.
From 1907 to the present day, the goal has remained consistent. We aim to provide opportunities for our members to perform and to bring enjoyment to our audiences. That commitment continues to guide us, and we look forward to many more years of performance and creativity.
Julia’s journey into performing arts was ignited by a familial connection to ESPA Productions. Inspired by her mother's performances on stage, Julia developed a love for local theatre. With both parents treading the boards as well as serving as secretary and chair, Julia’s involvement with the society was somewhat inevitable!
Julia has filled various roles within the society. These include both ensemble and principal roles in shows; serving as secretary, set painting, call boy, conducting acting workshops, assistant director and most recently, director.
In 2022 Julia assumed the position of chair, succeeding her esteemed predecessors, Chris Wait and Kevin Stuart. Julia works as both chair of the trustees as well as chair of the production team, and has produced a number of shows for the society in the past few years.
In Julia’s professional life, she oversees the publication of B2B magazines and events, managing the team to drive financial success across a diverse portfolio. Her decades-long collaboration with ESPA Productions has undoubtedly enriched her career, enhancing her production and team management skills.
Amelia has been training in classical dance since she was 2. She joined YESPA when she was 11 which really enhanced her love of theatre and musicals. Since then, Amelia has performed in 22 musicals (not including dance shows or concerts) with YESPA, ESPA and other local societies.
She started helping with ESPA and YESPA’s social media in 2019 and started designing their artwork for shows and programmes shortly after. But that wasn’t enough to satisfy her control freak tendencies so she became Vice-Chair of ESPA Productions in 2022, when she decided she had to move ESPA into the digital world of paperless forms!
The professional world of working has changed dramatically over the years for Amelia. She started her career back in 2017 as Managing Director of her own company, running trade shows for jewellery makers across the country. When Covid hit in 2020 and the events industry closed, she took it in her stride to pick up some marketing and design work to pass the time.
Since then Amelia has never looked back and in her current role combines, event management, marketing, design and her ability to boss people around all in one.
Amelia loves ESPA Productions and everything it has to offer. It gave her the amazing people she has around her today and for that she will be forever grateful!
Meg’s love for music and theatre stemmed from her form tutor calling over the music teacher after learning about her love for singing and signing her up for the school choir. From then, performing had been her life, with it either being in the school musicals or concerts. Thats where she met her singing teacher, who introduced her to the world of pantomime in 2015. First year, she threw herself into only performing for the Woldingham Pantomime, however after that - Meg started helping the musical director, only to then become musical director in 2017 and has been filling that role ever since.
Meg’s first amdram performance, that wasn't a pantomime, was in 2022. This was the one and only Kinky Boots (a show that she had watched 14 times in the west end!) After being in this, she stumbled across a post on instagram, stunning proof of the wonders of social media. Now, the post was for YESPA’s Wind in the Willows, which she realised she was too old for, so looked into what ESPA were currently doing, which is how she found out about Bonnie and Clyde. She instantly signed up to audition, and got the role of Stella! That wasn’t the only role though, it was voiced that they needed some extra help with the marketing, so Meg decided to put the idea of creating a TikTok to ESPA. This was a hit, with one video going viral at over 300k views. Meg loved not only taking part in the show, but being able to come up with content, film and edit. It was a whole new look into the world of amdram. Meg did all this with the help of Amelia, who basically told Meg she wasn’t allowed to leave and has held her captive, not that she would want to leave as ESPA has become a second family!
Other things Meg has helped with, is the content for YESPA’s The Wind in The Willows whilst also working backstage with both set and make-up and being someone to discuss ideas with, and bring new ideas to the team.
Anna's journey in the world of amateur dramatics began at just 6 years old, igniting a lifelong passion. Her adventure took an exciting turn when she joined ESPA for their production of Bonnie & Clyde. After having the best time performing with ESPA, Anna seamlessly transitioned into supporting with the marketing side, thrilled to have a role in promoting such a fantastic group.
By day, Anna is a marketing manager in the healthcare industry. By night, she's a theatre aficionado. She finds it so rewarding blending her professional work with her love for all things theatrical. From her days as vice president of the university theatre society to her performance and production credits, Anna has a great deal of experience in the art of nurturing successful theatre groups and helping them grow.
Anna’s role is to provide advice and creative input to support the committee. Her biggest skill, however, is getting too overexcited and flooding the group chat with 600 messages within the space of an hour.
Nia began performing with ESPA in 2022, and has performed in nearly every ESPA or YESPA show since. She should have known it was perhaps unavoidable she’d eventually offer to help support ESPA behind the scenes too!
Nia is also a senior member of the National Youth Harp Orchestra of GB where she has performed, assisted and chaperoned in many venues across the UK and Europe.
Nia takes great pleasure in being able to support the ESPA team and be a kind face for members to ask questions when needed.
When Nia isn’t supporting ESPA (or NYHO), she is enjoying studying for her degree in composition at Trinity Laban Conservatoire of Music and Dance.
Amelia’s start to musical theatre started when she was 10 and she went to see the Sound of Music on the west end as her first stage show and ever since dreamt about performing. Amelia then went up for the lead role in her church pantomime in 2013 and loved performing on a stage in front of an audience each night. She then didn’t do anything else until she went to university where she joined the show choir society, getting to live her Glee fantasy for 4 years whilst also being a secretary on the committee and then moving up to Vice President for her final year.
Coming out of university she missed performing and after spending 10 years being a huge ESPA fan and seeing nearly every single one of their shows, she knew it was about time she joined. Amelia’s first show with ESPA was Me and My Girl and has been part of the past few shows with them including 42nd Street and her dream show of Bonnie and Clyde and Parade. Being a part of ESPA has helped her confidence grow whilst also making amazing friends along the way. She is a part of the Raffle Squad in ESPA for rehearsals and Show Week raffles as well as helping with rehearsal admin.
When Amelia is not rehearsing or performing, she is working in a call centre for pensions and talking to all her colleagues about musical theatre even though they don’t understand or care for it. If Amelia is not working or at the theatre, you can usually find her reading a book somewhere and something she loves is a way of telling a story, whether it be in a book, a film or on the stage in a musical.